The Great Polarity.Poster. A2. 2015.Poster commemorating 70 years of independence inspired by the Taeguk symbol residing at the center of the South Korean flag. For the Geerida, Geurida, Saegida Exhibition curated by YoonDesign.

The Great Polarity.
Poster. A2. 2015.

Poster commemorating 70 years of independence inspired by the Taeguk symbol residing at the center of the South Korean flag. For the Geerida, Geurida, Saegida Exhibition curated by YoonDesign.

Here. There.Motion. Moving Poster. 2015.A poster for the KIPFA Creative Directors Lecture Series 2015. 

Here. There.
Motion. Moving Poster. 2015.

A poster for the KIPFA Creative Directors Lecture Series 2015. 

Very 2 & 3.
Series. Type. Motion. Moving Poster. 2015.
A continuation of the Very series of type and motion projects, this moving poster was part of the Intersection Exhibition for the Korean Society of Typography in June of 2015. This series continues the exploration of hands, computers, the concept of digital craftsmanship and the joy that can sometimes be found in maximalist tendencies.

Anonymous Services.Spread. 2015. A special ‘exhibition’ section for the LetterSeed Journal of Typography on Jan Tschichold. A short excerpt from the very end of Clay in the Potter’s Hand. The knowledge that he is rendering an anonymous service to valuable works, and to a small number of optically sensitive people, is as a rule the only reward for the typographer’s long and never–ending apprenticeship.
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Anonymous Services.Spread. 2015. A special ‘exhibition’ section for the LetterSeed Journal of Typography on Jan Tschichold. A short excerpt from the very end of Clay in the Potter’s Hand. The knowledge that he is rendering an anonymous service to valuable works, and to a small number of optically sensitive people, is as a rule the only reward for the typographer’s long and never–ending apprenticeship.
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Anonymous Services.Spread. 2015. A special ‘exhibition’ section for the LetterSeed Journal of Typography on Jan Tschichold. A short excerpt from the very end of Clay in the Potter’s Hand. The knowledge that he is rendering an anonymous service to valuable works, and to a small number of optically sensitive people, is as a rule the only reward for the typographer’s long and never–ending apprenticeship.
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Anonymous Services.
Spread. 2015. 

A special ‘exhibition’ section for the LetterSeed Journal of Typography on Jan Tschichold. A short excerpt from the very end of Clay in the Potter’s Hand. 

The knowledge that he is rendering an anonymous service to valuable works, and to a small number of optically sensitive people, is as a rule the only reward for the typographer’s long and never–ending apprenticeship.

Idiot / 3.Process Series A. 2014.Idiot is a project exploring different thematic methods of form making. 
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Idiot / 3.Process Series A. 2014.Idiot is a project exploring different thematic methods of form making. 
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Idiot / 3.
Process Series A. 2014.

Idiot is a project exploring different thematic methods of form making. 

Idiot / 2.Process Series A. 2013.Idiot is a project exploring different thematic methods of form making. Inspired by ‘blind contour drawing’, the following are images created without using sight.
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Idiot / 2.Process Series A. 2013.Idiot is a project exploring different thematic methods of form making. Inspired by ‘blind contour drawing’, the following are images created without using sight.
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Idiot / 2.
Process Series A. 2013.

Idiot is a project exploring different thematic methods of form making. Inspired by ‘blind contour drawing’, the following are images created without using sight.

If It Could Love. Book. 2011.A supporting publication for the Veiling/Unveiling exhibition at Samwon Paper Gallery. Inspired by the work of Lucio Fontana, the publication and project explore the concept of ‘anthropomorphic’ typography and type puncturing the two-dimensional plane.
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If It Could Love. Book. 2011.A supporting publication for the Veiling/Unveiling exhibition at Samwon Paper Gallery. Inspired by the work of Lucio Fontana, the publication and project explore the concept of ‘anthropomorphic’ typography and type puncturing the two-dimensional plane.
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If It Could Love. Book. 2011.A supporting publication for the Veiling/Unveiling exhibition at Samwon Paper Gallery. Inspired by the work of Lucio Fontana, the publication and project explore the concept of ‘anthropomorphic’ typography and type puncturing the two-dimensional plane.
Zoom Info
If It Could Love. Book. 2011.A supporting publication for the Veiling/Unveiling exhibition at Samwon Paper Gallery. Inspired by the work of Lucio Fontana, the publication and project explore the concept of ‘anthropomorphic’ typography and type puncturing the two-dimensional plane.
Zoom Info
If It Could Love. Book. 2011.A supporting publication for the Veiling/Unveiling exhibition at Samwon Paper Gallery. Inspired by the work of Lucio Fontana, the publication and project explore the concept of ‘anthropomorphic’ typography and type puncturing the two-dimensional plane.
Zoom Info
If It Could Love. Book. 2011.A supporting publication for the Veiling/Unveiling exhibition at Samwon Paper Gallery. Inspired by the work of Lucio Fontana, the publication and project explore the concept of ‘anthropomorphic’ typography and type puncturing the two-dimensional plane.
Zoom Info
If It Could Love. Book. 2011.A supporting publication for the Veiling/Unveiling exhibition at Samwon Paper Gallery. Inspired by the work of Lucio Fontana, the publication and project explore the concept of ‘anthropomorphic’ typography and type puncturing the two-dimensional plane.
Zoom Info
If It Could Love. Book. 2011.A supporting publication for the Veiling/Unveiling exhibition at Samwon Paper Gallery. Inspired by the work of Lucio Fontana, the publication and project explore the concept of ‘anthropomorphic’ typography and type puncturing the two-dimensional plane.
Zoom Info
If It Could Love. Book. 2011.A supporting publication for the Veiling/Unveiling exhibition at Samwon Paper Gallery. Inspired by the work of Lucio Fontana, the publication and project explore the concept of ‘anthropomorphic’ typography and type puncturing the two-dimensional plane.
Zoom Info
If It Could Love. Book. 2011.A supporting publication for the Veiling/Unveiling exhibition at Samwon Paper Gallery. Inspired by the work of Lucio Fontana, the publication and project explore the concept of ‘anthropomorphic’ typography and type puncturing the two-dimensional plane.
Zoom Info

If It Could Love.
Book. 2011.

A supporting publication for the Veiling/Unveiling exhibition at Samwon Paper Gallery. Inspired by the work of Lucio Fontana, the publication and project explore the concept of ‘anthropomorphic’ typography and type puncturing the two-dimensional plane.

If. Poster 1. Veiling / Unveiling. Exhibition. 2011.

If.
Poster 1. Veiling / Unveiling. Exhibition. 2011.

Tireless Refrain. Catalog. Nam June Paik Art Center. 2013.A catalog for the Tireless Refrain exhibition at the Nam June Paik Art Center. The concept of the catalog was using typography in a persistent, flowing, and continuous manner. This action based typography and reading are meant to evoke the exhibition concept of continuous and subtle means of protest.
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Tireless Refrain. Catalog. Nam June Paik Art Center. 2013.A catalog for the Tireless Refrain exhibition at the Nam June Paik Art Center. The concept of the catalog was using typography in a persistent, flowing, and continuous manner. This action based typography and reading are meant to evoke the exhibition concept of continuous and subtle means of protest.
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Tireless Refrain. Catalog. Nam June Paik Art Center. 2013.A catalog for the Tireless Refrain exhibition at the Nam June Paik Art Center. The concept of the catalog was using typography in a persistent, flowing, and continuous manner. This action based typography and reading are meant to evoke the exhibition concept of continuous and subtle means of protest.
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Tireless Refrain. Catalog. Nam June Paik Art Center. 2013.A catalog for the Tireless Refrain exhibition at the Nam June Paik Art Center. The concept of the catalog was using typography in a persistent, flowing, and continuous manner. This action based typography and reading are meant to evoke the exhibition concept of continuous and subtle means of protest.
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Tireless Refrain. Catalog. Nam June Paik Art Center. 2013.A catalog for the Tireless Refrain exhibition at the Nam June Paik Art Center. The concept of the catalog was using typography in a persistent, flowing, and continuous manner. This action based typography and reading are meant to evoke the exhibition concept of continuous and subtle means of protest.
Zoom Info
Tireless Refrain. Catalog. Nam June Paik Art Center. 2013.A catalog for the Tireless Refrain exhibition at the Nam June Paik Art Center. The concept of the catalog was using typography in a persistent, flowing, and continuous manner. This action based typography and reading are meant to evoke the exhibition concept of continuous and subtle means of protest.
Zoom Info
Tireless Refrain. Catalog. Nam June Paik Art Center. 2013.A catalog for the Tireless Refrain exhibition at the Nam June Paik Art Center. The concept of the catalog was using typography in a persistent, flowing, and continuous manner. This action based typography and reading are meant to evoke the exhibition concept of continuous and subtle means of protest.
Zoom Info
Tireless Refrain. Catalog. Nam June Paik Art Center. 2013.A catalog for the Tireless Refrain exhibition at the Nam June Paik Art Center. The concept of the catalog was using typography in a persistent, flowing, and continuous manner. This action based typography and reading are meant to evoke the exhibition concept of continuous and subtle means of protest.
Zoom Info
Tireless Refrain. Catalog. Nam June Paik Art Center. 2013.A catalog for the Tireless Refrain exhibition at the Nam June Paik Art Center. The concept of the catalog was using typography in a persistent, flowing, and continuous manner. This action based typography and reading are meant to evoke the exhibition concept of continuous and subtle means of protest.
Zoom Info
Tireless Refrain. Catalog. Nam June Paik Art Center. 2013.A catalog for the Tireless Refrain exhibition at the Nam June Paik Art Center. The concept of the catalog was using typography in a persistent, flowing, and continuous manner. This action based typography and reading are meant to evoke the exhibition concept of continuous and subtle means of protest.
Zoom Info

Tireless Refrain.
Catalog. Nam June Paik Art Center. 2013.

A catalog for the Tireless Refrain exhibition at the Nam June Paik Art Center. The concept of the catalog was using typography in a persistent, flowing, and continuous manner. This action based typography and reading are meant to evoke the exhibition concept of continuous and subtle means of protest.

Warm Regards. Manual. KCDF Gallery. 2014.A manual for the Printing Studio Show exhibition at the KCDF Gallery. This is an instruction manual so that users can create their own thermal printer, which is a printer combining LED lights and thermal paper so users can create their own type or graphics.
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Warm Regards. Manual. KCDF Gallery. 2014.A manual for the Printing Studio Show exhibition at the KCDF Gallery. This is an instruction manual so that users can create their own thermal printer, which is a printer combining LED lights and thermal paper so users can create their own type or graphics.
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Warm Regards. Manual. KCDF Gallery. 2014.A manual for the Printing Studio Show exhibition at the KCDF Gallery. This is an instruction manual so that users can create their own thermal printer, which is a printer combining LED lights and thermal paper so users can create their own type or graphics.
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Warm Regards. Manual. KCDF Gallery. 2014.A manual for the Printing Studio Show exhibition at the KCDF Gallery. This is an instruction manual so that users can create their own thermal printer, which is a printer combining LED lights and thermal paper so users can create their own type or graphics.
Zoom Info
Warm Regards. Manual. KCDF Gallery. 2014.A manual for the Printing Studio Show exhibition at the KCDF Gallery. This is an instruction manual so that users can create their own thermal printer, which is a printer combining LED lights and thermal paper so users can create their own type or graphics.
Zoom Info
Warm Regards. Manual. KCDF Gallery. 2014.A manual for the Printing Studio Show exhibition at the KCDF Gallery. This is an instruction manual so that users can create their own thermal printer, which is a printer combining LED lights and thermal paper so users can create their own type or graphics.
Zoom Info
Warm Regards. Manual. KCDF Gallery. 2014.A manual for the Printing Studio Show exhibition at the KCDF Gallery. This is an instruction manual so that users can create their own thermal printer, which is a printer combining LED lights and thermal paper so users can create their own type or graphics.
Zoom Info
Warm Regards. Manual. KCDF Gallery. 2014.A manual for the Printing Studio Show exhibition at the KCDF Gallery. This is an instruction manual so that users can create their own thermal printer, which is a printer combining LED lights and thermal paper so users can create their own type or graphics.
Zoom Info
Warm Regards. Manual. KCDF Gallery. 2014.A manual for the Printing Studio Show exhibition at the KCDF Gallery. This is an instruction manual so that users can create their own thermal printer, which is a printer combining LED lights and thermal paper so users can create their own type or graphics.
Zoom Info
Warm Regards. Manual. KCDF Gallery. 2014.A manual for the Printing Studio Show exhibition at the KCDF Gallery. This is an instruction manual so that users can create their own thermal printer, which is a printer combining LED lights and thermal paper so users can create their own type or graphics.
Zoom Info

Warm Regards.
Manual. KCDF Gallery. 2014.

A manual for the Printing Studio Show exhibition at the KCDF Gallery. This is an instruction manual so that users can create their own thermal printer, which is a printer combining LED lights and thermal paper so users can create their own type or graphics.